Collector’s pieces

Early 19th century kilim from the Malatya region, southeastern Turkey

This very old and extremely fine kilim has been stretched over a linen canvas for use on the wall.
A rare piece

Late 19th century kilim from the Veramin region in northwestern Iran

This kilim is a beautiful example of a Veramin kilim in terms of the colors used.
The wool is dense and shiny.

Mid-20th century kilim from western Turkey

Kilim with a pattern embroidered during weaving

This kilim has a beautiful harmony of colors and very high-quality weaving.

Turkmen kilim, begining of 20th century

This kilim has a dense weave and a highly decorative pattern.

Its size is perfect for an entrance hall or a large hallway.

Jajim early 20th century, from west of Anatolia

This weave is exceptionally large and sturdy enough to be placed on the floor.

Uzbek kilim ghudjeri , begining of 20th century

This weaving style is very characteristic of those made by the Uzbek tribes.
Ghudjeri kilims are supple and were not made to be used on the floor. 

This weaving can therefore be used as a wall hanging, on a table or bench, or as a door hanging.

Early 20th century Caucasian kilim.

Very characteristic of this region, with a beautiful harmony of colors.

Tight, dense weave.

Early 20th century kilim from southwest Turkey

This kilim is beautifully dimensioned and densely woven.

While some motifs are typical of the Konya region, others are more unusual and of great finesse.

Early 20th century kilim from northeast Turkey

This kilim's wool and weave are very characteristic of kilims from this region.

The colors are both soft and contrasting, and the size is exceptional.

Kilim early 20th century, from Hotamiş tribes of south-west of central Anatolia

Very nice piece, pattern and weaving very fine and nice colors combination

Exceptional size and perfect condition

Late 19th century kilim from Eastern Thrace

This kilim is absolutly exceptional for its size, motifs and colors.

This succession of niches decorated with stylized trees of life, on which birds rest, is punctuated by colors.

Suzani late 19th century, used as a wedding cloth symbolizing a passage.

The shape of the arch represents the Mihrab in the Islamic religion. In religious architecture and textiles, it is a symbol of passage, suggesting not only the existence of the beyond, the divine, but also the possibility of surrounding it.

In symbolism, the young couple lie down together under divine protection on their first night. According to custom, the empty, unembroidered part was to show proof of the bride's virginity.

Kilim end of 19th century, from Malatya, center-east of Turkey - Weaved in two parts

The kilims from this area are very fine and the pattern is very precise. Motifs of that one are both weaved and embroided. In the middle they are differents between the 2 parts and the bright white has been obtained with cotton.

Caucasian kilim dated 1916

Free pattern, unusual for this area - Vibrant colors

Kilim end of the 19th century from west of Turkey

Kilim which the pattern is embroied during the weaving - Exceptional pièce - Rare

Early 20th century kilim from the Shahsavan tribes, northwest Iran

This kilim is a beautiful example of the stripes woven by the women of the Shahsavan tribes.
The wool is dense and lustrous. The different shades of red, blue and brown are highlighted by the beige.

Early 19th century Kilim from south-west Turkey

This is a very beautiful and rare antique piece with a very archaic design and powerful colours.

Because of its age, this piece is a little fragile and not suitable for the floor.