A specialist in kilims since the early 1970s, the TRIFF gallery has largely contributed to making these weavings known in France and Europe. Since its creation, the gallery has always favored the criteria of quality, authenticity, aesthetics and originality for the choice of its kilims.
Sofreh of the Afshar tribes, Iran - First half of the 20th century
This sofreh features a sober center with just two floating green circles. Its high-contrast border is decorated with a chic, repetitive red-and-white pattern.
A real contemporary painting, this piece can be mounted on the wall.
Sofreh from tribes Afshar, Iran - 1rst part of the 20th Centruy
This sofreh is very free in its movement, with beautiful color contrasts structuring the central motif and many different details floating in the border.
A real contemporary painting, this piece can be mounted on the wall.
Kilim mid-20th century, from a region between the Tigris and Euphrates rivers south of Baghdad
This kilim from the Samawa region has a beautiful harmony of colors.
Its softer weave and less-tight embroidery made it ideal for use as a hanging or bedspread. It is therefore unsuitable for the floor in high-traffic areas.
Kilim early 20th century, from Malatya, center-east of Turkey - Weaved in two parts
The kilims from this area are very fine and the pattern is very precise. Motifs of that one are both weaved and embroided. In the middle they are differents between the 2 parts and the bright white has been obtained with cotton.
Early 20th century kilim from the Shahsavan tribes, northwest Iran
This kilim is a beautiful example of the stripes woven by the women of the Shahsavan tribes. The wool is dense and lustrous. The different shades of red, blue and brown are highlighted by the beige.
Kilim end of the 19th century, from Malatya, center-east of Turkey
The kilims from this area are very fine and the pattern is very precise. That one offers a lot of patterns, with very bright and deep colors and perfect colors combination. Very fine wool and strong weaving