A specialist in kilims since the early 1970s, the TRIFF gallery has largely contributed to making these weavings known in France and Europe. Since its creation, the gallery has always favored the criteria of quality, authenticity, aesthetics and originality for the choice of its kilims.
Kamoo sofreh are known for their high level of abstraction, but this one is totally amazing in its modernity and artistic power, highlighted by a choice of strong colors.
This piece can be hung on the wall like a painting.
The patterns on this kilim are very characteristic of this region. However, the sky blue background color is more unusual and the border is particularly elaborate.
Sofreh Kamoo, early 20th century This sofreh is highly abstract and simple. The patterns and colors against the white background are very subtle. This piece can be hung on the wall like a painting.
Late 19th century kilim from Khalajistan, northern Iran The comb and palmette motifs on this kilim are very characteristic of this region. However, this one is distinguished by the insertion of variable geometric motifs throughout the kilim, plus a few floating motifs that enliven the border. This is a rare piece.
Sofreh Kamoo, Iran - Early 20th century This highly abstract sofreh is a true contemporary painting that can be hung on the wall. The background color is the natural color of the wool, and the other colors are vegetable-based.
Kilim dated 1960, from southwestern Turkey The central medallions and colors of this kilim are very characteristic of this region. The elaborate borders are very beautiful.
Contemporary new Kilim, a subtle mix of ancestral know-how and modern design. This Kilim is the result of a traditional, eco-friendly weaving technique handed down from generation to generation in the villages around Antalya, in south-east Turkey.
New kilim, hand weaved with the most beautiful wool handspun and vegetable dyes.
This kilim is densely woven. As is very often the case in this region, it is woven in 3 parts and its motif depicts the trees of life, with bunches of grapes hanging from them.
Early 20th century kilim from the Bakhtiari tribes, from the Chahar Mahal valley, which crosses the Zagros Mountains.
The "spearhead" border of this kilim is very characteristic of this region. The center, on the other hand, is more unusual in both color and pattern. The linear aspect of the whole is broken by the "brushstrokes" that irregularly enter the center of the weave.
The white parts have been woven with cotton to accentuate the contrast.
Suzani late 19th century, used as a wedding cloth symbolizing a passage.
The shape of the arch represents the Mihrab in the Islamic religion. In religious architecture and textiles, it is a symbol of passage, suggesting not only the existence of the beyond, the divine, but also the possibility of surrounding it.
In symbolism, the young couple lie down together under divine protection on their first night. According to custom, the empty, unembroidered part was to show proof of the bride's virginity.